The journal Internationale Situationniste defined situationist
as "having to do with the theory or practical activity of constructing situations".
The same journal defined situationism as "a meaningless term improperly
derived from the above. There is no such thing as situationism, which would mean a
doctrine of interpretation of existing facts. The notion of situationism is obviously
devised by antisituationists."
History and overview
The most prominent member of the group,
Guy Debord, has tended to polarise opinion. Some describe him as having provided the
theoretical clarity within the group; others say that he exercised dictatorial control
over its development and membership. Other members included the Scottish writer
Alexander Trocchi,
the English artist
Ralph Rumney (sole member of the London
Psychogeographical Society, Rumney suffered expulsion relatively soon after the formation
of the Situationist International), the Scandinavian
vandal-cum-artist
Asger Jorn, the veteran of the Hungarian Uprising Attila Kotanyi, the French writer Michele
Bernstein, and Raoul Vaneigem. Debord and Bernstein later married. One way or another,
the currents which the SI took as predecessors saw their purpose as involving a radical
redefinition of the role of art in the
twentieth century. The Situationists themselves took a dialectical viewpoint, seeing their task as superseding art, abolishing the notion of art
as a separate, specialized activity and transforming it so it became part of fabric of
everyday life. From the Situationist viewpoint, art is
revolutionary or it is nothing. In this way, the Situationists saw their efforts as completing the work of both
Dada and
Surrealism while abolishing
both. Still, the Situationists answered the question "What is revolutionary?" differently at
different times.
The SI experienced splits and expulsions from its beginning. The one prominent
split in the group resulted in the Paris section retaining the name Situationist
International while the Scandinavian section, or the Second Situationist International
organised under the name of
Gruppe SPUR. While the entire history of the Situationists was marked by their
impetus to revolutionize life, the split between the French and the Scandinavian
sections marked a transition from the Situationist view of revolution possibly taking
an "artistic" form to it taking an unambiguously "political" form.
Those who followed the "artistic" view of the SI might view the evolution of SI
as producing a more boring or dogmatic organization. Those following the political
view would see the May 1968
uprisings as a logical outcome of the SI's
syncretic approach: while savaging present day society, they sought a kind of
utopia in the fusion of the positive tendencies of capitalist development. The
"realization and suppression of Art" is only one of many supercessions which the
SI sought over the years. For Situationist International of 1968, the world triumph
of workers councils would bring about all these supercessions.
Steffan Larsson (Swedish) — resignation March 1962
Katja Lindell (Swedish) — resignation March 1962
Jørgen Nash (Danish) — resignation March 1962
Hardy Strid(Swedish) — resignation March 1962
Peter Laugesen (Danish) - exclusion November 1963
Bengt Ericson — resignation September 1969
Jeppesen Victor Martin (Danish)
Writings by Members and Ex-members
Raoul Vaneigem
La résistance au christianisme: Les hérésies des origines au XVIIIe siècle — by Raoul Vaneigem — published by Fayard (1993; 490 pages) — ISBN 2213030405
Pour l'abolition de la société marchande pour une société vivante — by Raoul Vaneigem — published by Payot (September 5, 2002) — ISBN 2228896373
L'Ere des créateurs — by Raoul Vaneigem — published by Complexe (February 18, 2002) — ISBN 2870279159
L'Art de ne croire en rien, suivi de : Livre des trois imposteurs — by Raoul Vaneigem — published by Rivages (September 5, 2002) — ISBN 2743610026 (paperback)
Des harmonies polygames en amour — by Raoul Vaneigem — published by Rivages (March 7, 2003) ISBN 2743610905 (paperback)
Dictionnaire de citations pour servir au divertissement et à l'intelligence du temps — by Raoul Vaneigem — published by Le Cherche-midi Editeur (March 13, 1998) — ISBN 2862745545 (paperback)
De l'inhumanité de la religion — by Raoul Vaneigem — published by Denoel (April 13, 2000) — ISBN 2207249166 (paperback)
Salut Rabelais — by Raoul Vaneigem — published by Complexe (March 17, 2003) — ISBN 2870279590 (paperback)
The Revolution of Everyday Life — by Raoul Vaneigem. Translated into English by John Fullerton and Paul Sieveking in 1972.
The Revolution of Everyday Life — by Raoul Vaneigem, Translated into English by Donald Nicholson-Smith. Published by Rebel Press/Left Bank Books in 1983 and 1994.
Contributions to the Revolutionary Struggle, Intended to be Discussed, Corrected, and Principally, Put into Practice without Delay (Site1; Site2) — by Ratgeb (aka Raoul Vaneigem)
A Declaration of the Rights of Human Beings A two-page listing of the 58 articles from the book A Declaration of the Rights of Human beings — On the Sovereignty of Life as Surpassing the Rights of Man. Written 2001. Translated from French and published in 2003. This rendition distributed in November 2003 by Lust for Life.
Response to a Questionnaire from the Centre for Socio-Experimental Art — by J.V. Martin, J. Strijbosch, Raoul Vaneigem, Réne-Donatien Viénet. Originally appeared in Internationale Situationniste No.9 (August 1964) — translated by Ken Knabb. Taken from Situationist International Anthology, Bureau of Public Secrets, 1981
Pleasures of the Spectacle — The Spectacle of Pleasures — by Kimberly Anderson, Jen Brown, David Christian, Mary Cuddehe, Alicia Edwards, Margot Gregory, Julie Halverson, Elizabeth King, Amitabh Klemm, Erin Korich, and Rob Ostheimer
magazine formed in 1974, two years after the disbanding of the Situationist International. However, only one issue of a magazine of the same name was published. It includes a contribution by the AmericanSituationist Jon Horelick, and a draft manifesto, recommended by its members:
“We are motivated to seek new forms of truth, beauty and pleasure.... It
is not enough to decry the existence of the Spectacle. We intend to use both
art and theory as a battering ram against Capitalism and its false opposition,
tribalism, in all of its mystical forms. We believe it is possible to move
beyond the inexcusable savagery of everyday life.... We reject all attempts
to fix our experience solely in its biological dimension. Whenever individuals
believe that some aspect of their experience is natural, whether good or
bad, they disavow responsibility for it.... The source of our intuitions about
our nature is none other than the machinations of the perfumed dictators
of the System of Commodities. Once the dream of authenticity is planted in
the psyche, it is very difficult to weed out.... The underground is smothered
in waves of bad art which effectively silence its revolutionary voice. This
is just the sort of brilliant recuperation scheme we have come to expect
from the Spectacle. The correct interpretation of the idea of total aestheticization
is that all actions can be carried out in an aesthetic manner.... The Spectacle
diverts the aesthetic impulse into the empty act of consumption. The only
arena in which individuals are allowed to feel liberated is the shopping
mall.... There is no Eden to return to, but there are thousands of brief
moments of freedom to be gained.”
Dispositions — by McKenzie Wark. Armed with only a notebook and a handheld global positioning device, Wark tracks the secret passage of free time and free thought through the spaces of an everyday life.
Global Media Events (American West in the Twentieth Century) — by McKenzie Wark
New World Order — "...of images and information, allied to the fluxes of capital, to a magnitude never before... means used, capital as spectacle and the spectacle of capital aestheticize horrific visions..."
Rhizomes: Cultural Studies in Emerging Knowledge — We oppose the idea that knowledge must grow in a tree structure from previously accepted ideas. New thinking need not follow established patterns.
This Is the MomentThis Is the Moment — As human civilization evolved from feudalism to democracy we traded kings and tsars for presidents and prime ministers but the money power behind the scenes stayed the same and they remain in place today... that the machinery of oppression, theft, enslavement and murder can continue to function, maintaining the fatuous....